![]() Vara Caspary's novel The White Girl (1929) told the story of Solaria, a beautiful mulatto who passes for white. Their favoriteĬharacter, the octoroon, wretched because of the "single drop of midnight in her veins,"ĭesires a white lover above all else, and must therefore go down to a tragic end.(Brown, Urgings, indolence and potential savagery come from his Negro blood. His intellectual strivings and self-control come from his white blood, and his emotional Is the anguished victim of divided inheritance. White writers insist upon the mulatto's unhappiness for other reasons. Sterling Brown summarized the treatment of the tragic In a race-based society, the tragic mulatto found peace only in death. ![]() "blackness" in herself she hated or feared whites yet desperately sought their approval. If light enough to "pass" as white, sheĭid, but passing led to deeper self-loathing. Her personal pathologies: self-hatred, depression, alcoholism, sexual perversion,Īnd suicide attempts being the most common. A century later literary and cinematic portrayals of the tragic mulatto emphasized ![]()
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